Pinterest

Today
Watch
Shop
Explore
When autocomplete results are available use up and down arrows to review and enter to select. Touch device users, explore by touch or with swipe gestures.

7th century History

7th century History Other boards-Byzantium, Asian and African art
·
1,296 Pins
 5w
Collection by
Vika Bershadskaya
500-700 Wall hanging or mantle Peru, probably; south coast late Nasca style camelid hair 94.62 H x 980.44 L x 391.16 W cm plain weave; discontinuous warp and weft The Textile Museum Collection Accession Number 1965.42.1 Museum Purchase Bibliography Caldwell,Rebecca ed.: "Calendar"; The Textile Museum Bulletin, Washington, D.C.; 1990
7th-9th c.Tunic Fragment Peru Culture:Wari Camelid hair,cotton 57.15x203.2 cm Other: 57.15 cm Accession Number: 30.16.1.The Metropolitan Museum of Art.
615.K'inich Janaab' Pakal Ier au moment de son accession au trône (reproduction par Alfred Maudslay d'un détail de la tablette ci-dessous).was ajaw of the Maya city-state of Palenque in the Late Classic period of pre-Columbian Mesoamerican chronology. He acceded to the throne in July 615 and ruled until his death. During a reign of 68 years, the longest known regnal period in the history of the Americas, the 30th longest worldwide and longest until Frederick III in the 15th century,

7th century America

14 Pins
Recherche in den Online-Sammlungen der Staatlichen Museen zu Berlin
Fragments of a Stele ca. 600 From Egypt, Thebes Limestone Accession Number: 14.1.459a-d The Metropolitan Museum of Art.
545 CE +-75 to 685 CE +-65 Cave of the High Place in the Small Valley (Cave 181). Kizil Caves-Part of Silk Roads:the Routes Network of Chang'an-Tianshan Corridor. Xinjiang, China.

7th century Asia & Africa

119 Pins
Prince Shōtoku (聖徳太子, 574-622) or Prince Umayado (厩戸皇子) was a regent and a politician of the Imperial Court in Japan. Illustrated Biography of Shotoku Taishi, Tanzan Jinja, Sakurai, Nara, Japan Muromachi period (1337-1573)
Prince Shōtoku (聖徳太子, 574-622) or Prince Umayado (厩戸皇子) was a regent and a politician of the Imperial Court in Japan. Illustrated Biography of Shotoku Taishi, Tanzan Jinja, Sakurai, Nara, Japan Muromachi period (1337-1573)
Prince Shōtoku (聖徳太子, 574-622) or Prince Umayado (厩戸皇子) was a regent and a politician of the Imperial Court in Japan. Illustrated Biography of Shotoku Taishi, Tanzan Jinja, Sakurai, Nara, Japan Muromachi period (1337-1573)

7th century Rulers Asia & Africa

40 Pins
Stone sceptre or whetstone comprising a four-sided stone bar of hard,fine-grained grey stone.Each end of the bar tapers to form a 'neck',and ultimately terminates in a carved,lobed knob,roughly onion-shaped and originally painted red.Each knob is enclosed by a cage of copper alloy ridged strips.At one end(interpreted as the bottom),the cage consists of six strips and is attached to a cup-shaped piece of copper alloy.British Museum.
7th c.Dandaleith stone is a Class I Pictish stone from Craigellachie, Scotland. Dandaleith,Craigellachie, Moray,Pictish symbol stone.L 1.70m. pink granite.Elgin Museum. found in May 2013 during ploughing.The slab is incised with symbols on two adjoining faces: one bears an eagle walking to the right above a crescent and V-rod, while the other bears a disc with rectangle above an indented rectangle and Z-rod. All the symbols have internal ornament.
early 7th c.The Whetstone Sceptre. Sutton Hoo Anglo-Saxon,Suffolk,East Anglia England.stone,copper alloy.painted carved. relief.Length:58.30 cm(Stone bar only) Length:82cm(incl metal fittings)Weight:2.40 kg (Stone bar only)Weight:3048.20 gr(incl metal fittings (excl. 2 separate strips)) Width:5.10 cm (max).Each end of the bar tapers to form a 'neck',and ultimately terminates in a carved,lobed knob,roughly onion-shaped and originally painted red. British museum.

7th century Europe

92 Pins
Dagobert I (Dagobertus; c.603/5-19 Janu. 639) king of Austrasia (623-634), king of all the Franks (629-634), and king of Neustria and Burgundy (629-639).He was the last king of the Merovingian dynasty to wield any real royal power.Dagobert was the first of the Frankish kings to be buried in the royal tombs at Saint Denis Basilica. Grandes Chroniques de France (Castres)
Tombeau de pierre à droite du grand autel de l'église de l'abbaye de saint Germain des Prez à Paris.Il est de Clotaire II. Roy de France, mort en 628. Et autour est escrit: Hic jacet Chlotharius secundus Francorum Rex.

7th century Rulers Europe

233 Pins
Besançon, Bibl. mun., ms. 0677, f. 134v Clovis II - Saint Sulpice - Saint Ouen - Sainte Bathilde - Clotaire III - Childéric II - Thierry III - Clovis III.Clovis II (633 – 657) succeeded his father Dagobert I in 639 as King of Neustria and Burgundy. His brother Sigebert III had been King of Austrasia since 634. He was initially under the regency of his mother Nanthild until her death in her early thirties in 642.
Besançon, Bibl. mun., ms. 0677, f. 134 - Dagobert Ier - Sigebert III. Pour les articles homonymes, voir Dagobert. Dagobert Ier, né vers 602/605, mort le 19 janvier 638 ou 639, est un roi des Francs de la dynastie mérovingienne. Fils de Clotaire II (584-629), arrière-arrière-petit-fils de Clovis, il règne sur l'Austrasie de 622 à 632 et est roi des Francs de 629 à 639.
Besançon, Bibl. mun., ms. 0677 f. 133v Sainte Bertrude - Ansegisel - Saint Loup de Sens - Pépin de Herstal - Saint Eloi - Plectrude - Saint Flavit - Grimoald - Drogon de Champagne - Charles Martel - Chiltrude - Tassilon II - Carloman, fils de Charles Martel - Pépin le Bref - Grifon. Bertrude (en latin Bertrudis), morte vers 619, est une reine des Francs, seconde épouse de Clotaire II, roi de Neustrie.

Genealogies 7th century History

7 Pins
Saint Isidore.c.1530 Ambrosius Benson (c.1495-1550)73.5×26.5 cm.Wawel Castle. Святой Исидо́р Севи́льский (San Isidoro de Sevilla),иначе Исидо́р Гиспа́льский (Isidorus Hispalensis),или Исидо́р Мла́дший (Isidorus Iunior) (между 560-570,Гиспала,Вестготское королевство-4 апр.636,там же) архиепископ Гиспалы (Севильи) в вестготской Испании (600/1-636), последний латинский отец Церкви,компилятор мосарабского бог�ослужебного обряда.
Isidore of Seville. Baltimore Book of Prayers. 017c.1888.Святой Исидо́р Севи́льский (San Isidoro de Sevilla), иначе Исидо́р Гиспа́льский (Isidorus Hispalensis),или Исидо́р Мла́дший (Isidorus Iunior)(между 560-570,Гиспала, Вестготское королевство-4 апр.636,там же) архиепископ Гиспалы (Севильи) в вестготской Испании (600/1-636), последний латинский отец Церкви, компилятор мосарабского богослужебного обряда.
BL Add 11695 f 218 Table of kinship Spain,N. Silos Apocalypse. This commentary on the Apocalypse was made by monks at the Spanish abbey of Santo Domingo de Silos, being started in AD 1091 and completed in 1109. Full-page table, 'De adfinitatibus et gradibus' from Isidore, Etymologies (9:5). ff. 218-219v Isidore of Seville Excerpts from the Etymologies including a table of kinship

Isidore of Seville

29 Pins
Fujiwara no Kamatari 614-669 with his sons Fuhito and Jōe,Nara National Museum, Japan Fujiwara no Fuhito (藤原 不比等 659-720) was a powerful member of the imperial court of Japan during the Asuka&Nara periods.2nd son of Fujiwara no Kamatari (or, according to one theory,of Emperor Tenji), he had sons by two women,&those sons were the founders of the 4 principal lineages of the Fujiwara clan:the South,North, Ceremonial,&Capital lineages.late Muromachi period (C16)
White glazed standing figure of an armoured warrior; hollow; wearing a hood, armor and boots; standing with hands folded over apaunchy stomach; large eyes and mouth, w …
Chinese monk Xuanzang 玄奘, also called Tang Seng 唐僧, on his quest to India to obtain Buddhist sutras. Born in 602 CE in Luoyang 落陽市, Henan Province 河南省, China, he died in 664 CE in Chang’an 長安市, now Xi’an 西安市, in Shaanxi Province 陝西省.Image “Xuanzang w” by Alexcn is released to public domain.

People of the 7th century

81 Pins
This detail from folio 21 verso is a symbol of human kind. It stands opposite the beginning of the gospel to St Matthew. The figure resembles a doll without arms; the body is covered with a chequered pattern of inlay work. The head has no neck, and the hair, hanging straight back from the forehead to behind the ears, recalls the tonsure of Irish monks as seen in other artwork from the region. The feet are seen from a side angle.
c.690-710.The Book of Durrow is unusual in that it does not use the traditional scheme for assigning the symbols to the Evangelists. Each Gospel begins with an Evangelist's symbol-a man for Matthew, an eagle for Mark (not the lion traditionally used), a calf for Luke and a lion for John (not the eagle traditionally used).This is also known as the pre-Vulgate arrangement.Trinity College Library. Dublin,
This detail from folio 21 verso is a symbol of human kind. It stands opposite the beginning of the gospel to St Matthew. The figure resembles a doll without arms; the body is covered with a chequered pattern of inlay work. The head has no neck, and the hair, hanging straight back from the forehead to behind the ears, recalls the tonsure of Irish monks as seen in other artwork from the region. The feet are seen from a side angle.

7th century manuscripts

62 Pins
7th cent. Asparuh of Bulgaria.Tervel of Bulgaria. Map of the military history of Bulgaria. Romania. Avar Khaganate.
Anglo-Saxon Archaeology - The Kingdoms of England in the late 7th century
Early Anglo Saxon kingdoms - The British Library

Maps and plans 7th century History

14 Pins
7th c. Visigothic votive crown from the Treasure of Guarrazar, made of gold, precious stones, nacre, pearls and crystal. National Archaeological Museum Madrid Spain.
7th c. Visigothic votive crown from the Treasure of Guarrazar,made of gold,precious stones,nacre,pearls and crystal. National Archaeological Museum Madrid Spain.
Three Anglo-Saxon pendants and brooch, gold & garnet inlay, early 7th century.

7th century metalwork

270 Pins
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po

7th century metalwork Asia & Africa

52 Pins
Bell Tower of the Church of the Santos Justo and Pastor (Olleros de Pisuerga, Palencia). Below cave enable catecumenado pastoral work. Castile and León, Spain
Ve-XIe s.Baptistère Saint-Jean de Poitiers. Photo by Dennis Aubrey.Vienne,Nouvelle-Aquitaine,France.Architectural style- Merovingian art.The central part of the building was constructed around 360.The building was badly damaged during the Visigoth occupation in the 5th century. A restoration was begun after Clovis I defeated Alaric II in 507 at the Battle of Vouillé, near Poitiers.
Ve-XIe s.Baptistère Saint-Jean de Poitiers. Photo by Dennis Aubrey.Vienne,Nouvelle-Aquitaine,France.Architectural style- Merovingian art.The central part of the building was constructed around 360.The building was badly damaged during the Visigoth occupation in the 5th century. A restoration was begun after Clovis I defeated Alaric II in 507 at the Battle of Vouillé, near Poitiers.

7th century Places

105 Pins
691.Dome of the Rock in Jerusalem at the place where Muhammad ascended to heaven.Byzantine architecture has actually been more influential on the Islamic world than it has in western Europe, however. Byzantine church architecture has fundamentally influenced the design of nearly every mosque on the planet. The standard features of mosque architecture-colossal central domes, pendentive domes, Corinthian columns, large hypostyle halls, and enormous arches-are all derived from Byzantine churches.
Name of the craftsman,Muhammad bin Balawar is associated with renovations that took place during the Fatimid era.Mustafa Raqam is linked with the late Ottoman restorations(13th/19th c)Dynasty:Umayyad Patrons:Umayyad caliph 'Abd al-Malik bin Marwan(r.685-705).Building was renovated by a large number of Muslim caliphs& sultans Most prominent among them being:Fatimid caliph,al-Zahir (r.1021-36), Sultan Salah al-Din Ayyubi(known as Saladin,r.1169-93)Ottoman sultan, Sulayman the Magnificent r.1520-66
Dome of the Rock at the centre of the Haram al-Sharif.Jerusalem.691. Architect: Raja’bin Haywa and Yazid bin Sal'am participated in the construction.The name of the craftsman, Muhammad bin Balawar is associated with renovations that took place during the Fatimid era.Umayyad.Patrons:Umayyad caliph, 'Abd al-Malik bin Marwan(r.685-705)The most prominent renovated:the Fatimid caliph,al-Zahir(r.1021-36),Sultan Salah al-Din Ayyubi (Saladin,r.1169-93),Ottoman sultan, Sulayman the Magnificent(r.1520-66)

7th century Places Asia & North Africa

28 Pins
Sword and scabbard Period: Sasanian ca. 7th century A.D. Geography:Iran Culture: Sasanian Blade: iron; scabbard and hilt: gold over wood, garnets, glass-paste; guard: gilt-bronze L. 100.3 cm Credit Line:Rogers Fund, 1965 Accession Number:65.28a, b.
c.650-750 Silk fabric (samitum) with opposing birds in medallions Iran or Iraq; H: 48.5; W: 11 cm With its motif consisting of opposite pheasants or peacocks and Eagles standing on double palmettes in medallions, this textile clearly belongs to a tradition that existed both in the Sasanian and in the Byzantine Empire. Tekstiler, tæpper og læder - Davids Samling
Textile fragment: walking ram with a neckband and fluttering ribbons Period: Sasanian ca. 7th century AD. Geography: Egypt Culture:Sasanian Wool, cotton 21.8 x 10.5 cm Credit Line:Anonymous Gift, 1977 Accession Number:1977.232.The Metropolitan Museum of Art.

601-651 Sasanian Empire Neo-Persian Empire

46 Pins
7th c.Vertical Band from a Tunic Attr.to Egypt Wool,linen;tapestry weave.Textile:L.86 cm W.8cm Mount:L.96.2cm W.19.4cm D.4.1 cm Acc.Number:90.5.817.The Metropolitan Museum of Art.This shoulder band was once inserted in a Coptic tunic.Tapestry-woven on a red ground,a haloed female is depicted along with vases,palmettes,and lions.The leaflike feet of the female is a characteristic stylization in this period.
7th-9th c.tunic, fragment Egypt; Akhmim Coptic wool 43.20 H x 8.90 W cm tapestry weave Cotsen Textile Traces Study Collection Accession NumberT-0304.
VII в. Тканая полихромная полоса Египет лен, шерсть переплетение, гобеленовая техника 31,5х7 см Ткань коптская Многоцветная вставка-полоса туники с изображением павлинов и стилизованных розетт. Библиография 1. Коптские ткани. Собрание Государственного музея изобразительных искусств имени А.С. Пушкина, Москва / Составление, вступ. статья и каталог Р.Д. Шуриновой. Ленинград: Издательство "Аврора", 1967. Кат. 207. Табл. 93. I.1.а 326

7th century textile

102 Pins
Similar ideas popular now
History
Art
Recherche in den Online-Sammlungen der Staatlichen Museen zu Berlin Asian Art Museum, Edgar Degas, Bodhisattva, African Art, Mural, Objects, Century, History, Berlin Germany
Asian Art Museum
Edgar Degas
Bodhisattva
African Art
Mural
Objects
Century
History
Berlin Germany
Recherche in den Online-Sammlungen der Staatlichen Museen zu Berlin
500-700 Wall hanging or mantle Peru, probably; south coast late Nasca style camelid hair 94.62 H x 980.44 L x 391.16 W cm plain weave; discontinuous warp and weft The Textile Museum Collection Accession Number 1965.42.1 Museum Purchase Bibliography Caldwell,Rebecca ed.: "Calendar"; The Textile Museum Bulletin, Washington, D.C.; 1990 Textile Museum, Byzantium, Caldwell, Museum Collection, Mantle, Peru, Rebecca, Washington
Textile Museum
Byzantium
Caldwell
Museum Collection
Mantle
Peru
Rebecca
Washington
500-700 Wall hanging or mantle Peru, probably; south coast late Nasca style camelid hair 94.62 H x 980.44 L x 391.16 W cm plain weave; discontinuous warp and weft The Textile Museum Collection Accession Number 1965.42.1 Museum Purchase Bibliography Caldwell,Rebecca ed.: "Calendar"; The Textile Museum Bulletin, Washington, D.C.; 1990
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po Western Asia, Iranian, Islamic Art, Medallion, Monsters, Relief, Masterpiece
Western Asia
Iranian
Islamic Art
Medallion
Monsters
Relief
Masterpiece
Khalili Collections | Islamic Art | Tall Ewer
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po Engraving
Engraving
Khalili Collections | Islamic Art | Tall Ewer
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po Linear, Headed
Linear
Headed
Khalili Collections | Islamic Art | Tall Ewer
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Khalili Collections | Islamic Art | Tall Ewer
Tall Ewer MTW 455 Iran or western Asia 7th or early 8th century AD silver, beaten and worked in relief, with linear engraving enhanced by niello and traces of gilding 38.5cm (height) The central oval medallion depicts a two-headed eagle, flanked by oval medallions with advancing gryphons. The choice of monsters and workmanship are typical of Sasanian art on the frontiers of the Iranian world, perhaps ancient Tokharistan, the area south of the Oxus River, in the east. However, the heraldic po
Заколка для волос (Неизвестный автор) | Арт-Портал Historia, African Artwork
Historia
African Artwork
Заколка для волос (Неизвестный автор) | Арт-Портал
Заколка для волос (Неизвестный автор) | Арт-Портал
2-я пол.VII в.Фигурка в позе всадника, т.н.пляшущий человечек. Серебро,чеканка, золочение. Клад из с. Мартыновка. Среднее Поднепровье Fire Hydrant
Fire Hydrant
2-я пол.VIIв. Фигурка в позе всадника, т.н.пляшущий человечек Клад из с.Мартыновка Средн Поднепровье
2-я пол.VII в.Фигурка в позе всадника, т.н.пляшущий человечек. Серебро,чеканка, золочение. Клад из с. Мартыновка. Среднее Поднепровье
Vika Bershadskaya
Vika Bershadskaya
7th century History
Jug. Tibet or Sogdiana, 7th–8th century CE. Silver with gilding, H. approx. 80 cm. Lhasa Jokhang, Tibet.Photo © Ulrich von Schroeder. Lhasa, Tibet, Silver Jug, Hammered Silver, Miho Museum, Hermitage Museum, Eastern Art, Silk Road, Central Asia
Lhasa
Tibet
Silver Jug
Hammered Silver
Miho Museum
Hermitage Museum
Eastern Art
Silk Road
Central Asia
From Nara to Nancy | The Sogdians
Jug. Tibet or Sogdiana, 7th–8th century CE. Silver with gilding, H. approx. 80 cm. Lhasa Jokhang, Tibet.Photo © Ulrich von Schroeder.
Plate with Birds within Medallions Place of creation: Iran Date: 7th–8th century Material: silver Technique: chasing, gilding Dimensions: diameter: 22 cm Place of finding: Russia, Perm province, 1913 Acquisition date: Entered the Hermitage in 1914; transferred from the Imperial Archaeological Commission Inventory Number: S-48 Iran Date, Hermitage, Perm, Gilded, Imperial, Russia
Iran Date
Hermitage
Perm
Gilded
Imperial
Russia
Plate with Birds within Medallions Place of creation: Iran Date: 7th–8th century Material: silver Technique: chasing, gilding Dimensions: diameter: 22 cm Place of finding: Russia, Perm province, 1913 Acquisition date: Entered the Hermitage in 1914; transferred from the Imperial Archaeological Commission Inventory Number: S-48
Buckle Era of the Avars'and Khazars'State. 7th c.Place of finding:near Poltava,the Village of Malaya Pereshchepina gold and glass 17,8 x 5,7cm.Acquisition date:Entered the Hermitage in 1914;transferred from the Imperial Archaeological Commission Inv.Number: 1930-92.The State Hermitage Museum, Saint Petersburg. Aged Jewelry, Ethnic Jewelry, Antique Jewelry, Ancient Jewelry, Viking Jewelry, Ancient Words, Byzantine Empire, British Museum
Aged Jewelry
Ethnic Jewelry
Antique Jewelry
Ancient Jewelry
Viking Jewelry
Ancient Words
Byzantine Empire
British Museum
Art works
Buckle Era of the Avars'and Khazars'State. 7th c.Place of finding:near Poltava,the Village of Malaya Pereshchepina gold and glass 17,8 x 5,7cm.Acquisition date:Entered the Hermitage in 1914;transferred from the Imperial Archaeological Commission Inv.Number: 1930-92.The State Hermitage Museum, Saint Petersburg.
Crown Top or Usnisha Cover, Java, 650–1000. Gold sheet and gold wire with a crystal finial. Yale University Art Gallery, Gift of Valerie and Hunter Thompson Royal Tiaras, Royal Jewels, Crown Jewels, Tiaras And Crowns, Gold Crown, Hunter Thompson, Gold Sheets
Royal Tiaras
Royal Jewels
Crown Jewels
Tiaras And Crowns
Gold Crown
Hunter Thompson
Gold Sheets
Old Javanese Gold: The Hunter Thompson Collection | Yale University Art Gallery
Crown Top or Usnisha Cover, Java, 650–1000. Gold sheet and gold wire with a crystal finial. Yale University Art Gallery, Gift of Valerie and Hunter Thompson
Phoenix Hair Ornament, China Phoenix Hair, Southeast Asian Arts, Medium Gold, Fantasy Costumes, Mckee, Artist Gallery, Eye Art, Hair Ornaments
Phoenix Hair
Southeast Asian Arts
Medium Gold
Fantasy Costumes
Mckee
Artist Gallery
Eye Art
Hair Ornaments
Phoenix Hair Ornament, China ^ Minneapolis Institute of Art
Phoenix Hair Ornament, China
Belt buckle, Kölked (Hungary), 1st half VII century, golden bronze, silver and nielle, HNM This precious buckle closed the belt of a woman, buried at the beginning of the VII th century in a large necropolis of the Kingdom of Avars. The pin of the loop is decorated with a warrior facing a snake, holding swords from his two hands raised. The fighter is a God, perhaps Týr, or an unknown local hero. Expo, Empire Romain, Local Hero, Necropolis, Bronze, Tyr, Moyen Age, Skeleton Watch
Expo
Empire Romain
Local Hero
Necropolis
Bronze
Tyr
Moyen Age
Skeleton Watch
Belt buckle, Kölked (Hungary), 1st half VII century, golden bronze, silver and nielle, HNM
Belt buckle, Kölked (Hungary), 1st half VII century, golden bronze, silver and nielle, HNM This precious buckle closed the belt of a woman, buried at the beginning of the VII th century in a large necropolis of the Kingdom of Avars. The pin of the loop is decorated with a warrior facing a snake, holding swords from his two hands raised. The fighter is a God, perhaps Týr, or an unknown local hero.
Vika Bershadskaya
Vika Bershadskaya
7th century History
Decorative Belt End of a Horse Gear Era of the Avars' and Khazars' State. 7th century Place of finding:near Village Malaya Pereshchepina Archaeological site:Pereshchepina Complex gold, glass length: 6,9 cm; width: 2,8 cm Acquisition date:The Imperial Archaeological Commission, St Petersburg (from the Village of Malaya Pereshchepina, Poltava Province) Inventory Number:1930-33.The State Hermitage Museum, Saint Petersburg. Horse Gear, Saint Petersburg, Archaeological Site, Gold Glass, Art Works, Artifacts
Horse Gear
Saint Petersburg
Archaeological Site
Gold Glass
Art Works
Artifacts
Art works
Decorative Belt End of a Horse Gear Era of the Avars' and Khazars' State. 7th century Place of finding:near Village Malaya Pereshchepina Archaeological site:Pereshchepina Complex gold, glass length: 6,9 cm; width: 2,8 cm Acquisition date:The Imperial Archaeological Commission, St Petersburg (from the Village of Malaya Pereshchepina, Poltava Province) Inventory Number:1930-33.The State Hermitage Museum, Saint Petersburg.