Sara Piñeros Cortés

Sara Piñeros Cortés

Sara Piñeros Cortés
Más ideas de Sara
·|· whitney biennale — Jerome Hiler (b. 1943). Still from Words of Mercury, 2011. 16mm film, color, silent; 25 min. © Jerome Hiler; courtesy the artist

·|· whitney biennale — Jerome Hiler (b. 1943). Still from Words of Mercury, 2011. 16mm film, color, silent; 25 min. © Jerome Hiler; courtesy the artist

Watching Jerome Hiler’s recent works In the Stone House and New Shores, I am struck by the fact that films so intimately attuned to the here and now of emulsion passing before the projector’s bulb should also, essentially, be of the past.

Watching Jerome Hiler’s recent works In the Stone House and New Shores, I am struck by the fact that films so intimately attuned to the here and now of emulsion passing before the projector’s bulb should also, essentially, be of the past.

Masao Yamamoto | Simple, libre y poético

Masao Yamamoto le da lugar a lo imperfecto y a lo que preferimos ignorar, a las horas muertas vivaces, a las flores marchitas que alguna vez regalaron...

Masao Yamamoto - from “Shizuka=Cleanse” series, number 3035, gelatin silver print yamamotomasao.jp

Masao Yamamoto - from “Shizuka=Cleanse” series, number 3035, gelatin silver print yamamotomasao.jp

EL MUNDO ES UN MISTERIO PARA EL HAIJIN  /  Fotografía de Masao Yamamoto

EL MUNDO ES UN MISTERIO PARA EL HAIJIN / Fotografía de Masao Yamamoto