1960's clothing

18 Pins
 12y
Pale blue silk faille evening gown worn by Queen Elizabeth II, designed by Norman Hartnell, English, 1961. In early 1961 The Queen embarked upon a six-week tour of India and Pakistan. The Queen and The Duke of Edinburgh attended a dinner given by the Commander-in-Chief of the Pakistan Army, for which Her Majesty wore a magnificent crinoline gown of pale blue silk faille, embroidered all over with white beads in a feather motif. This gown was designed by Norman Hartnell, who favoured this comb... Royal Gowns, Royal Dresses, Queen Dresses, Vintage Gowns, Vintage Outfits, Vintage Fashion, Beautiful Gowns, Beautiful Outfits, Queen Gown
Exhibitions
Pale blue silk faille evening gown worn by Queen Elizabeth II, designed by Norman Hartnell, English, 1961. In early 1961 The Queen embarked upon a six-week tour of India and Pakistan. The Queen and The Duke of Edinburgh attended a dinner given by the Commander-in-Chief of the Pakistan Army, for which Her Majesty wore a magnificent crinoline gown of pale blue silk faille, embroidered all over with white beads in a feather motif. This gown was designed by Norman Hartnell, who favoured this comb...
White and blue silk crêpe evening gown worn by Queen Elizabeth II, designed by Norman Hartnell, English, 1967. In July 1967 The Queen and The Duke of Edinburgh attended the centennial celebrations of the Confederation of Canada. For the occasion of the centennial celebrations, Norman Hartnell designed a striking evening gown of white and blue silk crêpe. The bodice terminated in an inverted V-shaped band of embroidery in a design of maple leaves and berries, composed of crystal beads, silver ... 1960s Fashion, Royal Fashion, Vintage Clothes Women, Vintage Dresses, Norman Hartnell, 1960s Outfits, Fashion District
Exhibitions
White and blue silk crêpe evening gown worn by Queen Elizabeth II, designed by Norman Hartnell, English, 1967. In July 1967 The Queen and The Duke of Edinburgh attended the centennial celebrations of the Confederation of Canada. For the occasion of the centennial celebrations, Norman Hartnell designed a striking evening gown of white and blue silk crêpe. The bodice terminated in an inverted V-shaped band of embroidery in a design of maple leaves and berries, composed of crystal beads, silver ...
Embroidered beige silk shantung sleeveless shift dress, American, 1966. Worn with matching beige silk shantung coat. Label: "Cardinal, Detroit" Mod Fashion, Mens Outfits, Psychedelic Colors, We Wear, How To Wear
Embroidered beige silk shantung sleeveless shift dress, American, 1966. Worn with matching beige silk shantung coat. Label: "Cardinal, Detroit"
Brown wool jersey dress with white leather buttons, by Schrader Knits, American, 1964-68. Label: "Schrader Knits" and "Int. Ladies Garment Workers Union, Union Made, AFL-CIO, ILGWU." Worn with matching brown wool jersey coat with white leather buttons and piping. Workers Union, Union Made, Afl
Brown wool jersey dress with white leather buttons, by Schrader Knits, American, 1964-68. Label: "Schrader Knits" and "Int. Ladies Garment Workers Union, Union Made, AFL-CIO, ILGWU." Worn with matching brown wool jersey coat with white leather buttons and piping.
Printed silk chiffon cocktail dress belonging to Irene Miller, designed by James Galanos, American, 1965. The fabric design shows a brown and black, stylized floral pattern. The dress is mid-calf length, and has a swirling bias-cut skirt with underlayers of brown chiffon and brown crepe. The bodice has a wide "U" neckline with double cowl collar, and has double ties at back. Long, straight sleeves with zipper closing at wrists. Black button back closing. Wide burnt-orange velvet belt with cov... Orange Velvet, Burnt Orange, Printed Silk, Silk Printing, Chiffon Cocktail Dress, Bias Cut Skirt
Printed silk chiffon cocktail dress belonging to Irene Miller, designed by James Galanos, American, 1965. The fabric design shows a brown and black, stylized floral pattern. The dress is mid-calf length, and has a swirling bias-cut skirt with underlayers of brown chiffon and brown crepe. The bodice has a wide "U" neckline with double cowl collar, and has double ties at back. Long, straight sleeves with zipper closing at wrists. Black button back closing. Wide burnt-orange velvet belt with cov...
Two-piece white alaskin (a stiff, dull fabric, possibly part wool) evening gown with bead and braid embellishment, by Ruth Joyce, American, 1960-64. Vintage Clothing, Look Back At Me
Two-piece white alaskin (a stiff, dull fabric, possibly part wool) evening gown with bead and braid embellishment, by Ruth Joyce, American, 1960-64.
Pink satin and silver metallic evening dress by Sarmi, American, 1966. Retro Mode, Vintage Mode, Metallic Evening Dresses, Vintage Closet
Sarmi | Evening dress | American | The Metropolitan Museum of Art
Pink satin and silver metallic evening dress by Sarmi, American, 1966.
Floral-print silk dress by Lord and Taylor, American, early 1960s. Silk Print Dress, Floral Print Dress, Floral Prints, Silk Dress, Floral Frocks
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Floral-print silk dress by Lord and Taylor, American, early 1960s.
Velvet Pucci-print evening gown, 1960s. Timeless Fashion, Velvet Evening Gown, Evening Gowns, Evening Wear
Jacques Fath Evening Gown & Ephemera, 1949 Session 2 - Lot 709 - $550
Velvet Pucci-print evening gown, 1960s.
Silk evening ensemble (dress with black floral appliqué and coat) by Marguery Bolhagen, American (textile by Swiss manufacturers Abraham & Brauchbar), 1961. Marguery Bolhagen was a fashion designer throughout the third quarter of the 20th century. Many of her garments create a fitted structural silhouette which is suggestive of Charles James, who she worked for prior to opening her own stores in Washington D. C. and New York. The striking contrast of black velvet floral guipure appliqué again... Girl Fashion, Fashion Design, Vintage 70s, Costume Collection
Marguery Bolhagen | Evening ensemble | American | The Metropolitan Museum of Art
Silk evening ensemble (dress with black floral appliqué and coat) by Marguery Bolhagen, American (textile by Swiss manufacturers Abraham & Brauchbar), 1961. Marguery Bolhagen was a fashion designer throughout the third quarter of the 20th century. Many of her garments create a fitted structural silhouette which is suggestive of Charles James, who she worked for prior to opening her own stores in Washington D. C. and New York. The striking contrast of black velvet floral guipure appliqué again...
White wool evening coat trimmed with fox fur, by Shannon Rodgers, American, ca. 1968. This evening coat, with its sweeping proportions and generous use of white fox fur, harks back to 1930s glamour. It was created by respected American designer Shannon Rodgers. Shannon Rodgers early work was as a designer on Broadway. In the 1930s he was hired by film director Cecil B. DeMille as a studio artist. DeMille's "Cleopatra" is among the films Rodgers worked on. In 1946, he was hired by Jerry Silver... 1930s Fashion, Look Fashion, Fur Fashion, Fashion Kids, Mode Outfits, Fashion Outfits, Womens Fashion, Petite Fashion
Shannon Rodgers | Evening coat | American | The Metropolitan Museum of Art
White wool evening coat trimmed with fox fur, by Shannon Rodgers, American, ca. 1968. This evening coat, with its sweeping proportions and generous use of white fox fur, harks back to 1930s glamour. It was created by respected American designer Shannon Rodgers. Shannon Rodgers early work was as a designer on Broadway. In the 1930s he was hired by film director Cecil B. DeMille as a studio artist. DeMille's "Cleopatra" is among the films Rodgers worked on. In 1946, he was hired by Jerry Silver...
Paper Pop Art "The Souper Dress", American, 1966-67. As art historian Marco Livingstone has stressed, Pop Art was never a circumscribed movement with membership and manifestos. Rather, it was a sensibility emergent in the 1950s and rampant in the 1960s. Andy Warhol (who began his career as a fashion illustrator) had been painting Campbell's soup cans since 1962. Such advertising icons, along with cartoons and billboards, yielded a synthesis of word and image, of art and the everyday. Fashion ... Pop Art Fashion, Fashion Music, 1960s Dresses, Iconic Dresses
"The Souper Dress" | American | The Metropolitan Museum of Art
Paper Pop Art "The Souper Dress", American, 1966-67. As art historian Marco Livingstone has stressed, Pop Art was never a circumscribed movement with membership and manifestos. Rather, it was a sensibility emergent in the 1950s and rampant in the 1960s. Andy Warhol (who began his career as a fashion illustrator) had been painting Campbell's soup cans since 1962. Such advertising icons, along with cartoons and billboards, yielded a synthesis of word and image, of art and the everyday. Fashion ...
White linen mini dress with lace-up detail, by John Bates for Jean Varon, c. 1960s. Fashion Band, Linen Mini Dress, Lace Dress, Emma Peel, Swinging 60s
White linen mini dress with lace-up detail, by John Bates for Jean Varon, c. 1960s.
Mondrian-inspired color-block wool dress by Yves Saint Laurent, French, fall/winter 1965-66. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases acheived by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting i... Mondrian Dress, Piet Mondrian, City Fashion, Style 60s, Mode Style, Paris Dresses
Yves Saint Laurent | Dress | French | The Metropolitan Museum of Art
Mondrian-inspired color-block wool dress by Yves Saint Laurent, French, fall/winter 1965-66. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases acheived by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting i...
Peach lace dress with beige linen lining, by Kiki Byrne, British, 1960s. Peach Lace Dress, Hair Reference
Peach lace dress with beige linen lining, by Kiki Byrne, British, 1960s.