Man reading newspaper to grizzly bear. Henri Cartier-Bresson. France. Nord. Lille. Bois de Boulogne, 1976.   In 1931, Cartier-Bresson began to use a camera and to make photographs that reveal the influence of both Cubism and Surrealism—bold, flat planes, collage-like compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked.  Homme lisant le journal de l'ours grizzli. Henri Cartier-Bresson. France. Nord.

Man reading newspaper to grizzly bear. Henri Cartier-Bresson. France. Nord. Lille. Bois de Boulogne, 1976. In 1931, Cartier-Bresson began to use a camera and to make photographs that reveal the influence of both Cubism and Surrealism—bold, flat planes, collage-like compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked. Homme lisant le journal de l'ours grizzli. Henri Cartier-Bresson. France. Nord.

Queue. @designerwallace

¡Saludos a todos! En este post les traigo unas muy buenas fotografias sobre como era la vida cotidiana en la URSS. Todas las fotos que ven aqui son s...

Vivian maier

Vivian Maier tenía un don, el de quien mira lo cotidiano y encuentra lo extraordinario.

Henri Cartier-Bresson

Primero te ignorarán. Después se reirán de ti. Por último te atacarán. Entonces habrás ganado. First they ignore you. Then they laugh at you. Finally you will be attacked. Then you win. Mahatma Gandhi.

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