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Photographs by Ruven Afanador, Marina Abramovic for New York Magazine

Marina Ambramovic Shoes for Departure 1991 Performance Art Her work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.

Exclusive: Ruven Afanador's new book on the muy guapo men of flamenco - Page 4 | Out Magazine

An exclusive look at photographer Ruven Afanador’s new book on the muy guapo men of flamenco

"Partindo de sentidos opostos, eles caminharam até o meio e quando se encontraram, meses depois, romperam de vez. Cada um seguiu para o seu lado e fim. Ponto final."

o minuto mais intenso na vida de marina abramovic

mfjr: “Relation in Time, 1977 Marina Abramovic and Ulay ”

Marina Abramovic/Ulay,2010. The Artist is Present, durante 716 horas con 30 minutos sentada en silencio, una mesa de por medio. Las personas se sentaban frente a ella y sostenian la mirada por unos minutos, todo esto se grabó para el documental con el mismo nombre, pero el día de la inauguración alguien inesperado tomó el asiento, Ulay, 23 años después estaban juntos de nuevo realizando un performance el estremecimiento de Marina al verlo es evidente, y fue con el único con el que tuvo…

Marina Abramović and Ulay Meet: The Artist is Present with Video

Marina Abramovic

Marina Abramovic, Happy Christmas, silver gelatin print, 137 x 137 cm, 2008 © Marina Abramovic

Marina Abramović Presents New Work Investigating Brainwave ...

Marina Abramović Presents New Work Investigating Brainwave Synchronization

Marina Abramovic and Ulay: Death self, 1977 "the two performers devised a piece in which they connected their mouths and took in each other’s exhaled breaths until they had used up all of the available oxygen. Seventeen minutes after the beginning of the performance they both fell to the floor unconscious, their lungs having filled with carbon dioxide. This personal piece explored the idea of an individual’s ability to absorb the life of another person, exchanging and destroying it."

Marina Ambramovic & Ulay Laysiepen Death Self, 1977 This performance consisted of the two artists seated in front of each other, connected at the mouth.

Marina Abramovic - Anima Mundi - 1983 - fotografia da performance

People put so much effort into starting a relationship and so little effort into ending one.

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