Josef Albers. Dessau, End of Winter. 1931/1932 | MoMA
Josef Albers. Dessau, End of Winter. 1931/1932. Gelatin silver prints mounted to board. Overall 11 5/8 × 16 3/8" (29.5 × 41.6 cm). Acquired through the generosity of Jo Carole and Ronald S. Lauder, and Jon L. Stryker. 1023.2015. © 2020 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. Photography
Pierre-Alexis Dumas Directeur artistique d'Hermès The Hermès scarf was born in 1937, as a project of Robert Dumas, my grandfather. Fascinated by innovative textile printing techniques, he soon became passionate about creating designs and constantly searching for new arrangements and endless combinations of colours. Combined with perfect implementation, this continual drive to innovate introduced great freedom into his work. This openness and pioneering spirit resulted in great exchanges and…
Josef Albers, Silent, 1965
Screenprint on Mohawk Superfine Bristol Paper; Image: 27,9 × 27,9 cm | 11 × 11 in, Sheet: 30,8 × 30,8 cm | 12 1/8 × 12 1/8 in; Signed and dated "Albers '65" also titled and "20/120" numbered; Edition of 120; Blatt 2 von 5 aus der Folge "Die Oberfläche"; Drucker: Sirocco Screenprints, New Haven; Herausgeber: Ives-Sillmann, Inc New Haven für "Das Kunstwerk", Agis Verlag, Baden-Baden, 1965
Homage to the Square (La Tehuana), 1951 - Josef Albers - WikiArt.org
‘Homage to the Square (La Tehuana)’ was created in 1951 by Josef Albers in Hard Edge Painting style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.