I m pei

Ieoh Ming Pei.

As I. M. Pei reaches 100, we wonder what the architect will dream up next.

From 2017, A Portrait of the Great Architect I. M. Pei at (Nearly) 100: Having conquered modernism, he moved beyond it to etch his legacy into the past century.

I.M. Pei, the renowned Chinese-born American architect, died yesterday at 102. Notable Pei designs include the iconic glass pyramid…

IM Pei dies aged 102

East Building, National Gallery of Art / I.M. Pei / Washington, DC, USA-1978

If you were a Greek tourist in the 1st century BCE you would likely have had something in your hand that would be qui...

I.M. Pei's first museum design, The Everson Museum of Art, is a big, Brutalist structure that's celebrating its 50th birthday in Syracuse, New York.

A visit to Suzhuo Museum: I M Pei’s masterful fusion of contemporary design with his hometown’s vernacular aesthetic. A must do when in Suzhou, China.

𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐆𝐚𝐥𝐥𝐞𝐫𝐲 𝐨𝐟 𝐀𝐫𝐭, 𝐄𝐚𝐬𝐭 𝐁𝐮𝐢𝐥𝐝𝐢𝐧𝐠 𝐢𝐧 𝐖𝐚𝐬𝐡𝐢𝐧𝐠𝐭𝐨𝐧, 𝐔𝐒𝐀 | 𝐈. 𝐌. 𝐏𝐞𝐢 (1978) The National Gallery of Art, East Building, designed by I. M. Pei and completed in 1978, is a prominent cultural landmark in Washington, D.C. The building is renowned for its modernist architecture, featuring two triangular sections that create a dynamic interplay of geometric forms. The structure houses the museum’s modern and contemporary art collections and…

IM Pei, one of the most celebrated and prolific architects of the 20th century, has died aged 102.

Image 2 of 3 from gallery of I. M. Pei Dies at the Age of 102. via I. M. Pei. Image © 準建築人手札網站 Forgemind ArchiMedia [Flickr], bajo licencia CC BY 2.0

Famed architect I.M. Pei designed some of the greatest buildings across the globe in his more than half century career.

For his 1946 thesis at Harvard Graduate School of Design (GSD), Ieoh Ming (I.M.) Pei proposed a museum in Shanghai. Intended to display Chinese art, the

Among his most celebrated projects is the pyramid for the Louvre.

The AIA has honoured IM Pei's renovation of the Musée du Louvre in Paris with an award during the organisation's national convention.

A characteristic mid-career I.M. Pei design began with his initial selection of an elemental geometric shape—a square, triangle, or circle, say—which he then bisected (often on an acute angle), rotated forty-five or ninety degrees, and finally juxtaposed against other Euclidean patterns similarly manipulated. The specifics of this slice-dice-and-spin formula changed from job to job given the variables of budget, site, and function, but the lookalike results were readily confirmed as Pei’s…

The Pei building extended the institution’s reputation for commissioning only the most talented contemporary architects, working at the top of their game.

Executive Producer and Producer and Eugene B. Shirley, Jr. talks about the making of his thirteenth film with WNET.ORG. IHe discusses how he initially became interested in the work of I. M. Pei, the multiple trips to China needed to realize the film, and the unique challenges of long term documentary projects.