Fashion victim

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Versace Slides, Consumer Culture, Fashion Victim, Anna Sui, Dua Lipa, Japanese Fashion, Vivienne Westwood, Clothes And Accessories, Tom Ford

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Archive Magazine, Consumer Culture, Brand Name Clothing, Rei Kawakubo, Magazine Editorial, Photo Series, Fashion Victim, Anna Sui, Ann Demeulemeester

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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