Dancer hands

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two hands that are sitting in the middle of a bed, with their arms stretched out

My former teacher, Noreen Bush, was an absolute stickler for the correct use of the hands. We were taught that hands were the most vital element, in no only showing a calm, clean, classical line, but in expressing the storyline of the ballet and the style. She would go on to say that beautiful hands were a sure sign of a perfect classical training. With her lineage of fellow dancers, teachers and mentors, including Eduardo Espinosa, Adeline Genee, Anna Pavlova, Ninette de Valois, and Enrico…

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