Herbert Bayer was appointed director of the printing and advertising workshop in 1925. He designed the famous ‘universal typeface’ of simple looking letters that is so familiar to us now.

Unity by Alignment and Pattern. Herbert Bayer was appointed director of the printing and advertising workshop in He designed the famous ‘universal typeface’ of simple looking letters that is so familiar to us now.

BAUHAUS 1919 – 1928 Herbert Bayer, Walter Gropius and Ise Gropius [Editors]

Bayer, Gropius & Gropius: BAUHAUS 1919 – New York: Museum of Modern Art, First edition in jacket.

Universal type 1925 - Herbert Bayer "The "universal" type, that Bayer presented in 1925 with the name 'sturm blond', the reduction was extreme. The guidance had adopted - exclusive use of lowercase letters, forms of elementary geometry, reduced to the simplest, universality - followed by other graphic artists."

Universal type 1925 - Herbert Bayer "The "universal" type, that Bayer presented in 1925 with the name 'sturm blond'

Herbert Bayer, Bauhaus-Ausstellung - Weimar, No.12 (1923)

Bauhaus Ausstellung, 1923 with the logo designed by Oskar Schlemmer // designer: Herbert Bayer

Envirnomental Graphics by Herbert Bayer (Austrian/American 1900-1985)

Herbert Bayer Design for a newspaper stand Tempera and cut-and-pasted print elements on paper × cm “ The walls are painted to match the architectonic divisions of the room precisely.

Herbert Bayer, (graphic designer)  Title	Consumer Noreen Cosmetics ad

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Herbert Bayer, (graphic designer) Title Consumer Noreen Cosmetics ad (via Ad Vintage)

Herbert Bayer’s Mural Design for the back stairwell of the Weimar Bauhaus, 1 9 2 3.

Color and The Bauhaus

Herbert Bayer Wall-painting design for the stairwell of the Weimar Bauhaus building on the occasion of the 1923 Bauhaus exhibition 1923 Collection Merrill C. Berman Photo by Jim Frank

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