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Auto-retrato. Desenho em giz preto aumentado com lápis vermelho. Jean-Honoré Fragonard (Grasse, Alpes Marítimos, França, 05/04/1732 - 22/08/1806, Paris, França). Encontra-se no Museu do Louvre, em Paris, França.

Auto-retrato. Desenho em giz preto aumentado com lápis vermelho. Jean-Honoré Fragonard (Grasse, Alpes Marítimos, França, 05/04/1732 - 22/08/1806, Paris, França). Encontra-se no Museu do Louvre, em Paris, França.

File:Jean-Honoré Fragonard - Visite à la nourrice.jpg - Wikimedia Commons commons.wikimedia.org800 × 643Buscar por imagen Honoré Fragonard Visite à la nourrice

File:Jean-Honoré Fragonard - Visite à la nourrice.jpg - Wikimedia Commons commons.wikimedia.org800 × 643Buscar por imagen Honoré Fragonard Visite à la nourrice

Fragonard-deux tetes danges - Jean-Honoré Fragonard - Wikimedia Commons

Fragonard-deux tetes danges - Jean-Honoré Fragonard - Wikimedia Commons

Page: The Good Mother Artist: Jean-Honore Fragonard Style: Rococo Genre: genre painting Technique: oil Material: canvas Gallery: Museum of Fine Arts

Nació en Grasse en el año 1732 y falleció en París en Pintor francés. Discípulo de Chardin y de Boucher, en 1752 obtuvo el gran premio de ...

Frank Dicksee

"Vuelvo a Burgos, que a mi esposa despacio tengo que hablar y advertir a los de casa de lo que en mi ausencia harán.

Jean-Honore Fragonard is a French born artist during the late Rococo period. He is responsible for over 500 pieces of art during his career. In his early years he won the Prix de Rome, an art scholarship in which allowed him to attend the French Academy. His artwork is easily recognized because of the lightness, subject matter and frivolousness in his painting such as ‘Blind Man’s Bluff’. As he aged and matured his paintings reflected more personal matters such as the birth of his daughter.

Jean-Honore Fragonard is a French born artist during the late Rococo period. He is responsible for over 500 pieces of art during his career. In his early years he won the Prix de Rome, an art scholarship in which allowed him to attend the French Academy. His artwork is easily recognized because of the lightness, subject matter and frivolousness in his painting such as ‘Blind Man’s Bluff’. As he aged and matured his paintings reflected more personal matters such as the birth of his daughter.

Jean-Honoré Fragonard | Autoportrait, en buste, le visage souriant | c. 1780-1790

Jean-Honoré Fragonard | Autoportrait, en buste, le visage souriant | c. 1780-1790

Jean-Honore_Fragonard_ritratto della moglie Marie-Anne_Fragonard_1786-87.

Jean-Honore_Fragonard_ritratto della moglie Marie-Anne_Fragonard_1786-87.

† Daniel Wyttenbach (August 7, 1746 - January 17, 1820) Dutch professor and librerian.

† Daniel Wyttenbach (August 7, 1746 - January 17, 1820) Dutch professor and librerian.

Johannes Cornelis Mertens | Mansportret, Johannes Cornelis Mertens, 1752 - 1823 |

Johannes Cornelis Mertens | Mansportret, Johannes Cornelis Mertens, 1752 - 1823 |

Jean-Jacques Rousseau   "Ma mauvaise tête ne peut s'assujetir aux choses. Elle ne saurait embellir, elle veut créer. Les objets réels s'y peignent tout au plus tels qu'ils sont; elle ne sait parer que les objets imaginaires. Si je veux peindre le printemps il faut que je sois en hiver; si je veux décrire un beau paysage il faut que je sois dans des murs et j'ai dit cent fois que si jamais j'étais mis à la Bastille, j'y ferais le tableau de la liberté." (Confessions, 4)

Jean-Jacques Rousseau "Ma mauvaise tête ne peut s'assujetir aux choses. Elle ne saurait embellir, elle veut créer. Les objets réels s'y peignent tout au plus tels qu'ils sont; elle ne sait parer que les objets imaginaires. Si je veux peindre le printemps il faut que je sois en hiver; si je veux décrire un beau paysage il faut que je sois dans des murs et j'ai dit cent fois que si jamais j'étais mis à la Bastille, j'y ferais le tableau de la liberté." (Confessions, 4)

Mensaje secreto en un huevo - laboratorio del huevo

Mensaje secreto en un huevo - laboratorio del huevo

Tobias Mayer, in his study of the libration of the moon (Kosmographische Nachrichten, Nuremberg, 1750), invented the first formal method for estimating the unknown quantities by generalized the averaging of observations under identical circumstances to the averaging of groups of similar equations.

Tobias Mayer, in his study of the libration of the moon (Kosmographische Nachrichten, Nuremberg, 1750), invented the first formal method for estimating the unknown quantities by generalized the averaging of observations under identical circumstances to the averaging of groups of similar equations.

— Admiral Skeffington Lutwidge- Philip Jean (c. before 1802)“Skeffington Lutwidge (13 March 1737 – 15/16 August 1814) was an officer of the Royal Navy, who saw service during the American War of Independence, and the French Revolutionary and Napoleonic Wars. He had a particular connection with Horatio Nelson, who served under Lutwidge as a midshipman on an expedition to the Arctic in HMS Carcass in 1773, and again in 1801 while a captain, when Lutwidge was commander in chief in the Dow...

— Admiral Skeffington Lutwidge- Philip Jean (c. before 1802)“Skeffington Lutwidge (13 March 1737 – 15/16 August 1814) was an officer of the Royal Navy, who saw service during the American War of Independence, and the French Revolutionary and Napoleonic Wars. He had a particular connection with Horatio Nelson, who served under Lutwidge as a midshipman on an expedition to the Arctic in HMS Carcass in 1773, and again in 1801 while a captain, when Lutwidge was commander in chief in the Dow...

Christian Gottlob Heyne - Wikipedia

Christian Gottlob Heyne - Wikipedia

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