Federico Lozano

Federico Lozano

Federico Lozano
More ideas from Federico
Jonathan Meese

Jonathan Meese

DR. DÄMONENJÄGER M.E.E.S.E.!, 2017 by Jonathan Meese

DR. DÄMONENJÄGER M.E.E.S.E.!, 2017 by Jonathan Meese

I’m fond of his use of text because the words seem to belong to the painting rather then than the artist. This is because many times the words have a literal source in the painting. While I’m not interested in painting the monsters that make the voices I do want my text to seem just as inherent to the painting as the other visual elements.

I’m fond of his use of text because the words seem to belong to the painting rather then than the artist. This is because many times the words have a literal source in the painting. While I’m not interested in painting the monsters that make the voices I do want my text to seem just as inherent to the painting as the other visual elements.

Photography Jan Bauer.Net / Courtesy Jonathan Meese.Com. JONATHAN MEESE: EVOLUTION de LARGE (ICH-TEA-OHHH-SAURYS). GL STRAND, Gallery of Modern and Contemporary Art, Copenhagen 2012

Photography Jan Bauer.Net / Courtesy Jonathan Meese.Com. JONATHAN MEESE: EVOLUTION de LARGE (ICH-TEA-OHHH-SAURYS). GL STRAND, Gallery of Modern and Contemporary Art, Copenhagen 2012